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Added Sep 29, 2025
Composer: Joseph Franz Haydn
Uploaded By: Choir PDFs
Format: Staff
Language: English
Pages: 58 pages

THE CREATION by Joseph Franz Haydn — Lyrics

[No. 2. CHORUS—"And the Spirit of God"] And the Spirit of God mov'd upon the face of the waters: and God said, Let there be light: and there was light. [No. 3. CHORUS—"Despairing, Cursing Rage"] Despairing, cursing rage attends their rapid fall. A newcreated world springs up at God's command. [No. 5. SOPRANO SOLO AND CHORUS—"The Marv'lous Work"] The praise of God, and of the second day. And to th' ethereal vaults resound The praise of God, and of the second day. The marv'lous work behold amaz'd the glorious hierarchy of heav'n; And to th' ethereal vaults resound The praise of God, and of the second day. [No. 11. CHORUS—"Awake the Harp"] Awake the harp, the lyre awake, And let your joyful song resound. Rejoice in the Lord, the mighty God, For He both heaven and earth has clothed in stately dress. [No. 14. CHORUS—"The Heavens Are Telling"]
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About THE CREATION

There is a special kind of electricity that runs through a choir loft when we open the pages of Joseph Haydn’s *The Creation*. Singing these choruses feels like painting with the brightest, boldest colors imaginable. From the hushed, mysterious opening that suddenly explodes into a blinding fortissimo at "And there was light," this music captures the sheer, overwhelming joy of the universe coming into being. It is a monumental work, demanding everything we have as singers—breath, precision, and an uncontainable sense of wonder.

The choruses in this collection are some of the most thrilling pieces a choir can tackle. When we launch into the rolling, energetic lines of "Awake the Harp" or the triumphant declarations of "Achievèd is the Glorious Work," the music practically dances off the page. Pieces like "The Heavens Are Telling" build layer upon layer, starting with a simple, elegant melody and growing into a massive, swirling declaration of praise. It is the kind of music that lifts the congregation and leaves the singers breathless but completely exhilarated.

While often reserved for major concerts or grand feast days, these movements carry a deep spirit of worship. They remind us of the beauty of the natural world and the majesty of the Creator. Tackling Haydn’s intricate counterpoint and soaring high notes is a true workout for any choir, but the reward is immense. When all the voice parts finally lock together in those final, resounding "Hallelujahs" and "Amens," it feels like we are joining the song of the angels themselves.