This edition was prepared by Cassiano Barros — free to download, print, rehearse and perform.
In me transierunt
Staff Notation • Sacred, Motets
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2 editions of this piece
Different typesettings and voicings of the same work. This page shows the main edition; the others are below.
STTB · André Vierendeels
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In me transierunt by Jean Maillard — Lyrics
Psalmus David, in rememorationem de sabbato.
Domine, ne in furore tuo arguas me, neque in ira tua corripias me:
quoniam sagittae tuae infixae sunt mihi, et confirmasti super me manum tuam.
Non est sanitas in carne mea, a facie irae tuae; non est pax ossibus meis,
a facie peccatorum meorum:
quoniam iniquitates meae supergressae sunt caput meum,
et sicut onus grave gravatae sunt super me.
Putruerunt et corruptae sunt cicatrices meae, a facie insipientiae meae.
Miser factus sum et curvatus sum usque in finem; tota die contristatus ingrediebar.
Quoniam lumbi mei impleti sunt illusionibus, et non est sanitas in carne mea.
Afflictus sum, et humiliatus sum nimis; rugiebam a gemitu cordis mei.
Domine, ante te omne desiderium meum, et gemitus meus a te non est absconditus.
Cor meum conturbatum est; dereliquit me virtus mea,
et lumen oculorum meorum, et ipsum non est mecum.
Amici mei et proximi mei adversum me appropinquaverunt, et steterunt; et qui juxta me erant,
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About In me transierunt
Jean Maillard’s motet In me transierunt for STTB voices opens with a sense of profound distress. The music vividly portrays the lamentation and suffering expressed in the Latin text, drawn from Psalm 38. The composer uses the four-part texture to create moments of both intense drama and quiet introspection, mirroring the text’s exploration of guilt, pain, and the absence of peace. The lower voices often provide a foundation of sorrow, while the upper voices can soar with anguish or recede into hushed confession. It is a powerful setting of a deeply personal psalm, exploring themes of divine judgment and human frailty with compelling musicality.
