GLORY TO GOD IN THE HIGHEST

When the choir strikes up the Gloria, it is meant to be a moment of pure, uncontained joy. Ezigwe Chidi's setting of "Glory To God In The Highest" captures exactly that mood. Written entirely in English, this piece takes the ancient words of the Mass and gives them a bright, rhythmic energy that lifts the entire congregation. The refrain is especially catchy, repeating the word "glory" in a way that feels like a true celebration. It is the kind of chorus that stays in your head long after Mass has ended, making it easy for the people in the pews to join in with the choir.

The verses follow the traditional text of the Gloria, broken down into four distinct sections. As the choir moves through the praises, the plea for mercy, and the final exaltation of the Holy Trinity, the harmony parts support the melody with steady, moving lines. Singing this piece requires good breath control and clear diction, especially in the verses where the words flow quickly.

We often look for a Gloria that feels both reverent and deeply joyful, especially for feast days and the Easter season. This arrangement strikes that balance perfectly. It allows the choir to lead the parish in a robust song of praise, turning the liturgical text into a vibrant offering of thanksgiving.