Ojima Cheyi Ojo (Gloria - Igala)

When the opening notes of "Ojima Cheyi Ojo" ring out from the choir loft, a wave of joyful recognition often sweeps through the congregation. This vibrant Igala setting of the Gloria by Jude Nnam captures the sheer exuberance of the angels' song. It is a piece that demands energy from every section of the choir, driving forward with a rhythmic pulse that makes it hard to stand still while singing.

We typically bring this out on Sundays and feast days when the liturgy calls for a truly festive Gloria. The refrain anchors the piece, giving the assembly a powerful, repeating acclamation of God's glory in the highest. As the verses progress through the familiar movements of praise, blessing, and petition—from the praises of "Awa k'ele we" to the final, resounding "Amen"—the arrangement builds a wonderful sense of communal worship.

Singing the Gloria in an indigenous language like Igala adds a special warmth to the Mass. The natural cadence of the words shapes the melody, allowing the choir to deliver the prayer with deep, authentic expression. It is an excellent choice for lifting the spirits of the church and setting a tone of profound thanksgiving right at the beginning of the Eucharistic celebration.