Aperite mihi portas - Choir Script PDF Thumbnail
Preview
0 0
Edition by James Gibb
0 downloads
Added Jul 29, 2026
3 editions of this piece

Different typesettings and voicings of the same work. This page shows the main edition; the others are below.

TTBB · Brian Marble Preview
TTBB · Claudio Macchi Preview
Format: Staff
Language: Latin
Pages: 1 page
This edition was prepared by James Gibb — free to download, print, rehearse and perform.

Aperite mihi portas by Giovanni Francesco Anerio — Lyrics

Alleluja. Confitemini Domino, quoniam bonus, quoniam in saeculum misericordia ejus. Dicat nunc Israël: Quoniam bonus, quoniam in saeculum misericordia ejus. Dicat nunc domus Aaron: Quoniam in saeculum misericordia ejus. Dicant nunc qui timent Dominum: Quoniam in saeculum misericordia ejus. De tribulatione invocavi Dominum, et exaudivit me in latitudine Dominus. Dominus mihi adjutor; non timebo quid faciat mihi homo. Dominus mihi adjutor, et ego despiciam inimicos meos. Bonum est confidere in Domino, quam confidere in homine. Bonum est sperare in Domino, quam sperare in principibus. Omnes gentes circuierunt me, et in nomine Domini, quia ultus sum in eos. Circumdantes circumdederunt me, et in nomine Domini, quia ultus sum in eos. Circumdederunt me sicut apes, et exarserunt sicut ignis in spinis: et in nomine Domini, quia ultus sum in eos. Impulsus eversus sum, ut caderem, et Dominus suscepit me. Fortitudo mea et laus mea Dominus, et factus est mihi in salutem. Vox exsultationis et salutis in tabernaculis justorum. Dextera Domini fecit virtutem;
Read full lyrics

About Aperite mihi portas

This setting of a jubilant Latin text, drawn from Psalm 118, is for TTBB choir. The words express confidence in God's enduring mercy, a theme celebrated with joyful exclamations and a powerful declaration of reliance on the Lord amidst adversity. Anerio's motet provides a rich sonic landscape for this confident affirmation. The composer, active in the late Renaissance and early Baroque periods, was known for his sacred vocal music. This work would suit a program of Renaissance or early Baroque sacred motets, offering a robust and expressive challenge for a male-voice ensemble.