This edition was prepared by Allen Garvin — free to download, print, rehearse and perform.
Adversum me loquebantur
Staff Notation • Sacred, Motets
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2 editions of this piece
Different typesettings and voicings of the same work. This page shows the main edition; the others are below.
SATTB · Pothárn Imre
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Adversum me loquebantur by Orlando di Lasso — Lyrics
mm
In finem, pro iis qui commutabuntur. David.
Salvum me fac, Deus,
quoniam intraverunt aquae usque ad animam meam.
Infixus sum in limo profundi et non est substantia.
Veni in altitudinem maris, et tempestas demersit me.
Laboravi clamans, raucae factae sunt fauces meae;
defecerunt oculi mei, dum spero in Deum meum.
Multiplicati sunt super capillos capitis mei qui oderunt me gratis.
Confortati sunt qui persecuti sunt me inimici mei injuste;
quae non rapui, tunc exsolvebam.
Deus, tu scis insipientiam meam;
et delicta mea a te non sunt abscondita.
Non erubescant in me qui exspectant te, Domine, Domine virtutum;
non confundantur super me qui quaerunt te, Deus Israël.
Quoniam propter te sustinui opprobrium;
operuit confusio faciem meam.
Extraneus factus sum fratribus meis,
et peregrinus filiis matris meae.
Quoniam zelus domus tuae comedit me,
et opprobria exprobrantium tibi ceciderunt super me.
Et operui in jejunio animam meam,
et factum est in opprobrium mihi.
Et posui vestimentum meum cilicium;
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About Adversum me loquebantur
Orlando di Lasso was a prolific composer of sacred and secular music in the 16th century. This motet, Adversum me loquebantur, is a powerful setting of a Latin text drawn from the Psalms. The music reflects the dramatic pleas of the text, which speaks of being overwhelmed by troubles and enemies. Lasso masterfully employs the SATTB voicing to create rich textures and intense emotional expression. The composer uses the varied vocal lines to convey the struggle and desperation of the psalmist, building to moments of fervent supplication and ultimately, faith. It is a significant work of sacred Renaissance part-music.
