SING UNTO GOD

Handel's "Sing Unto God" is a majestic classical chorus that has become a staple for grand occasions in the Nigerian Catholic choir repertoire. Originally from the oratorio Judas Maccabaeus, the text is a direct and triumphant call to praise drawn from Psalm 68. It demands a bright, full-throated sound from the choir, capturing the sheer joy of lifting voices together in worship.

Because of its royal energy and the brilliant instrumentation it calls for—the score itself notes trumpets, timpani, and oboes—choirs often bring this piece out for weddings, feast days, and major celebrations. It requires strong vocal stamina, especially from the sopranos who must navigate the lively, rolling melismas on the word "praises" while keeping the tempo spirited and light.

When the full choir enters after the initial solo, the contrapuntal harmony fills the church with a sense of celebration. It is a piece that challenges a choir's precision but rewards them with a sound that is both glorious and deeply uplifting for the congregation.