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What we have here is not a standard musical score, but a working choir repertoire list—a setlist drawn up for a specific Mass. It outlines the hymns and Mass parts chosen for the liturgy, serving as a quick reference guide for the choir loft. Looking at the selections, it reflects the vibrant, multilingual reality of a Nigerian Catholic Sunday Mass, blending English, Latin, and Igbo.

The program opens with familiar processionals like "Priestly People" and the solemn Latin "Ecce Sacerdos," suggesting this might have been prepared for a special occasion involving a bishop or a priestly celebration. For the fixed parts of the Mass, the choir relies on local settings by composers like Tony Ume and Fada Batho. We even see brief tonic sol-fa snippets jotted down next to the Alleluia, Credo, and Sanctus—handy little reminders to help the director or cantor pitch the tune right before bringing the choir in.

During the Liturgy of the Eucharist, the selections shift to deeply reverent Igbo hymns. Pieces like "Kristi Dinwenum" for the Consecration and "Jesus Aha na-atọ m ụtọ" for Communion guide the congregation into a space of adoration and spiritual intimacy. It is a wonderful glimpse into the practical preparation that goes into leading a parish in worship, organizing everything from the opening procession to the final dismissal.