MARANATHA

"Maranatha" is an earnest Advent piece that captures the longing and anticipation of the Church waiting for the coming of Christ. Originally composed by Janet Sullivan Whitaker, this arrangement by Onwordi Nnamdi Emmanuel brings a layered choral texture to the traditional "O Antiphons." The song weaves together the ancient titles of Christ—Wisdom from on high, Key of David, Sceptre of the house of Israel, Dawn of the east, and King of nations—into a steady plea for His return.

In the choir loft, this piece serves as a fitting meditation during the season of Advent. The recurring refrain, "Maranatha come Lord Jesus," anchors the congregation in a spirit of prayerful expectation. As the verses progress through the different titles of the Messiah, the harmony builds, culminating in the powerful, repeated cries of "Emmanuel."

Choirs will find this arrangement particularly effective for Advent reflections, Entrance processions, or Communion meditations during the weeks leading up to Christmas. The interplay between the cantor, unison sections, and full four-part harmony creates a dynamic and engaging experience for both the singers and the assembly, drawing everyone into the mystery of the Incarnation.