Erravi, Domine - Choir Script PDF Thumbnail
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Edition by Willem Verkaik
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Added Jul 31, 2026
Format: Staff
Language: Latin
Pages: 2 pages
This edition was prepared by Willem Verkaik — free to download, print, rehearse and perform.

Erravi, Domine by Constantijn Huygens — Lyrics

Alleluja. Aleph. Beati immaculati in via, qui ambulant in lege Domini. Beati qui scrutantur testimonia ejus; in toto corde exquirunt eum. Non enim qui operantur iniquitatem in viis ejus ambulaverunt. Tu mandasti mandata tua custodiri nimis. Utinam dirigantur viae meae ad custodiendas justificationes tuas. Tunc non confundar, cum perspexero in omnibus mandatis tuis. Confitebor tibi in directione cordis, in eo quod didici judicia justitiae tuae. Justificationes tuas custodiam; non me derelinquas usquequaque. Beth. In quo corrigit adolescentior viam suam? in custodiendo sermones tuos. In toto corde meo exquisivi te; ne repellas me a mandatis tuis. In corde meo abscondi eloquia tua, ut non peccem tibi. Benedictus es, Domine; doce me justificationes tuas. In labiis meis pronuntiavi omnia judicia oris tui. In via testimoniorum tuorum delectatus sum, sicut in omnibus divitiis. In mandatis tuis exercebor, et considerabo vias tuas. In justificationibus tuis meditabor: non obliviscar sermones tuos. Ghimel. Retribue servo tuo, vivifica me, et custodiam sermones tuos. Revela oculos meos, et considerabo mirabilia de lege tua. Incola ego sum in terra: non abscondas a me mandata tua. Concupivit anima mea desiderare justificationes tuas in omni tempore. Increpasti superbos; maledicti qui declinant a mandatis tuis.
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About Erravi, Domine

Constantijn Huygens’s Erravi, Domine sets a sacred Latin text, likely drawn from Psalm 119, as a solo aria. The music expresses a plea for divine guidance and steadfastness in following God's law, with the soloist lamenting past transgressions and seeking strength to uphold sacred commandments. The text speaks of the joy and purity found in God’s word, and the yearning for righteousness. Huygens’s setting is characterized by its direct emotional expression, a feature common in the arias of the period. The solo soprano voice is designed to carry the weight of the text and its theological implications, making it a compelling choice for liturgical or devotional settings where a single voice can powerfully convey spiritual introspection and supplication.