Double chant in E major VII

Chants of this kind were central to daily services in Anglican cathedrals and parish churches throughout the 19th century. This setting by William Henry Havergal, a prolific composer of hymn tunes and chants, is for SATB choir. Its directness and clarity of melodic line make it ideal for congregational participation, yet its harmonic language offers satisfying depth for a choral ensemble. The double chant form, typically sung by alternating choir halves, provides a sense of responsive dialogue within the service. Its E major tonality lends a bright, noble character, suitable for any principal service.